Monday, October 25, 2010

Indian Chinese community seek 1962 war memorial


Rahul Karmakar
Hindustan Times
Kolkata, October 25, 2010,page 7


People from the Indian Chinese community who were deported and harassed during the 1962 Indo-Sino war have asked the Centre for land at Deoli in Rajasthan to build a monument. Sandstone-rich Deoli is a town in Tonk district, 160 km south of Rajasthan capital Jaipur. More than 3,000 ethnic Chinese, many of them living in Assam at that time and suspected to be close to Beijing, were taken to the Deoli Internment Camp after the 1962 Sino-Indian War — but subsequently forgotten by both countries.

The Association of India Deoli Camp Internees wants the monument as “an acknowledgement of the persecution of the ethnic Chinese” 48 years ago. And as a reminder of “our loss of freedom”.

“The Indian government cannot heal the wounds of the Indian Chinese who lost their homes and kin and were forced to be scattered across the world after the 1962 war,” Assamese novelist-activist Rita Choudhury said. “It can at least honour those who lost their lives in the internment camp.

Unfortunately, Prime Minister Manmohan Singh is yet to respond to the association’s letter.

A positive gesture, added the novelist who initiated the move, would go a long way in improving India's image vis-a-vis the minorities.

Choudhury helped many Indian Chinese reconnect with their roots in India during a four-year research across continents for her novel Makam. The book is named after Makum, a small town 505 km east of Assam capital Guwahati.

Tuesday, October 19, 2010

A Photographic Journey Of Fritz Hoffmann

Date: 21st October, 2010
Time: 5 P.M. Onwards
Venue: GD Birla Sabhaghar

Fritz Hoffmann will be presenting his life as a photographer, which began almost three decades ago and led him to spend the past 16 years documenting change in China. 13 of those years were as a full time resident photojournalist based in Shanghai. Hoffmann has travelled to every province and municipality in China on assignment for western magazines and as a contract photographer for NATIONAL GEOGRAPHIC magazine.

Fritz was also filmed by National Geographic Channel on his recent photo documentation of the Shaolin Monks- The cover story of National Geographic October 2010. The documentary, to be featured in the 'Most Amazing Photos', is scheduled for a global premiere on National Geographic Channel on the 24th of October, 2010.

In light of his past experiences the topic of the talk is to be Development of China: A photographic journey.

Fritz Hoffmann (American) is recognized for his photographic work documenting change in China as a resident photojournalist based in Shanghai from 1995-2008. His pictures have been widely published and exhibited. He is a frequent contributor to National Geographic magazine. Hoffmann’s work has made an important contribution to world understanding of modern China. He was the first foreign photographer since 1949 to receive accreditation from China’s Foreign Ministry to reside outside Beijing, the political capital. He studied Mandarin at East China University of Science and Technology and at Shanghai University Academy of Fine Art. He has photographed in each of China’s provinces and municipalities several times. China continues to be the primary focus of his work.

Prior to his move to China, Fritz established his place as a respected international photojournalist while working with JB Pictures in New York. Under the JB banner, he moved his base of operations to Nashville, Tennessee just before the first term of US President Bill Clinton, which increased interest in the American South. After JB closed, he opened the Network Photographers (UK), Shanghai bureau in 1997 as photo-correspondent. In 2002 Fritz co-founded the online picture library, documentCHINA.

Born in Seattle, Washington, Fritz was raised in a large family with a history of craftsmen. He began photography as a kid hitchhiking across the Pacific Northwest and then printing his pictures in the home darkroom. He honed his photography skills while slinging king crab in Dutch Harbor, Alaska. Fritz supported his early travel and photography with work as a carpenter. Travel experiences steered him to pursue social documentary photography and reportage. He spent 5 years working at newspapers in Seattle, Charleston, West Virginia and Knoxville, Tennessee before entering magazine work.

Friday, October 8, 2010

Nobel Peace Prize 2010

The Nobel Peace Prize 2010 was awarded to Liu Xiaobo (LEE-o SHAo-boh) , the first Chinese citizen to win the prize ( 刘晓波 , born December 28, 1955 ) for his long and non-violent struggle for fundamental human rights in China .

Liu Xiaobo is a Beijing writer and former literature professor. He was given an 11-year prison sentence on subversion charges on Dec. 25, 2009, after urging Chinese leaders to embrace democratic reforms. He has appealed his conviction to the Beijing Supreme People's Court.

Mr. Liu's sentence, judged by many analysts to be unusually harsh, has drawn criticism from human rights groups, Western governments and writers worldwide. Most regard the chances that it will be overturned or softened as slim.

Mr. Liu was seized by security officials in December 2008 as he and other intellectuals prepared to issue Charter 08, a lengthy manifesto that called on China's Communist Party to uphold individual rights and relinquish its monopoly on power. Modeled on Charter 77, the manifesto drafted by Czechoslovakian rights advocates three decades earlier, Charter 08 eventually garnered some 10,000 signatures before government censors pulled it from the Internet.

After being held more than a year in secret detention and later in jail, Mr. Liu was found guilty by a Beijing court of "inciting subversion of state power." Mr. Liu previously spent 21 months in detention for taking part in the 1989 pro-democracy protests at Tiananmen Square. And in 1996, after demanding clemency for those still imprisoned for their roles in the demonstrations, he was sent to a labour camp for three years.

In addition to helping create Charter 08, Mr. Liu's subversion charges were based on six articles he wrote that were published on the Internet outside of China.



PS :
Charter 08 is a manifesto initially signed by over 350 Chinese intellectuals and human rights activists to promote political reform and democratization in the People's Republic of China. It was published on 10 December 2008, the 60th anniversary of the Universal Declaration of Human Rights, adopting name and style from the anti-Soviet Charter 77 issued by dissidents in Czechoslovakia.



Wednesday, October 6, 2010

ChongYang Festival


Chongyang Festival is observed on the ninth day of the ninth month in the Chinese lunar calendar, which is also called Double Ninth Day. ( This Year It's on 16 th October 2010 ).

Having undergone a history of more than 2,000 years, the Double-Ninth Day was formally set down as a folk festival in the Tang Dynasty and both Emperors and civilians alike celebrated the festival following the tradition and custom.

As time goes by, the Double-Ninth Day has gradually formed the celebrating conventions of going on a journey, ascending height, inserting cornel, appreciating chrysanthemum, eating Chongyang cake, and drinking chrysanthemum tea / wine .

On this day, people always gather the whole family to spend the festival together.

As the figure "9" also stands for longevity and health in the traditional concept of Han people, the Chinese government set this day ( 9 - 9 ) in the lunar calendar as the " Elder's Festival" in 1989. Now, the Double-Ninth Day has been enlisted as Intangible Cultural Heritage of China. But way back in 1966 the Republic of China (Taiwan) dedicated this day as "Senior Citizens' Day", where the festival is an opportunity to care for and appreciate the elderly.

On the day, people eat the Chongyang cake, alias “huagao” (literally, flower cake), which is the food for Chongyang Festival in the Han Chinese tradition. Dating back to the Southern Dynasty, it is popular in most of the places in China, and as it is made for the Chongyang Festival, thus the name Chongyang cake. The cake is mostly made of rice powder and nuts, but the processing method varies in different regions, mainly baking and steaming, which is still popular nowadays.

The making method and eating custom of Chongyang cake vary in different places, so do its origin and connotations of folklore culture.It is generally recognized that Chongyang cake originated from the Chongyang Festival’s tradition of climbing heights. As restricted by the landform and resources, it was usually not convenient for the common urban residents to ascend heights, so they replaced height climbing custom with eating Chongyang cake (in Chinese, “” [cake] and “” [height] have the same pronunciation).

Some historians suggests that the cultural connotation of Chongyang cake focuses on the character “”, the partial tone of which suggests promotion and high rank.

Many ethnic minorities in South China such as Yi, Bai, Dong, She, Bouyi, Tujia, Helao, etc also keep the tradition of celebrating the Double Ninth Day and eating rice cakes, but the way, the celebration, and the legend behind the festival differ from that of the Han Chinese.

As the festival is right in autumn when the chrysanthemums are in full bloom, the custom of appreciating chrysanthemums and drinking chrysanthemum wine / tea comes into being. Most people drink chrysanthemum tea, while a few strict traditionalists drink homemade chrysanthemum wine. Children in school learn poems about chrysanthemums, and many localities host a chrysanthemum exhibit. Mountain climbing races are also popular .

On the Chongyang Festival, people traditionally pick cornel branches and leaves and seal them inside a small sachet made of red cloth.This cornel is a small evergreen tree with pinnate leaves and small greenish-white flowers. The fruit is purplish red when ripens, with a pungent yet sweet smell. The cornel has medicinal functions like removing toxic cold, relieving pain, killing insects etc. Ancient people believed that wearing the sachet on the body could ward off evil and keep disaster at bay.

Since the ancient times, lots of poets have written down poems with the Double-Ninth Day as a theme. Wang Wei, a famous poet in the Tang Dynasty, can be remembered for his poem entitled On the Mountain Holiday Thinking of My Brothers in Shandong .

Saturday, October 2, 2010

Second Lunar Exploration

China on Friday ( October 1 , 2010 ) celebrated 61 years of communist rule with the launch of its second unmanned lunar probe , Chang'e -2 -- the next step in its ambitious programme for an unmanned moon landing in 2013, with a possible manned lunar mission to follow in 2017 and further exploration of outer space.

A Long March 3C rocket with the Chang'e-2 probe took off from Xichang satellite launch site in southwest China's Sichuan Province at about 1100 GMT ( Beijing time -18:59:57 ). The rocket will shoot the craft into the trans-lunar orbit, after which the satellite is expected to reach the Moon in about five days. Chang'e-2 will orbit 100 kilometers above the moon, compared with 200 kilometers for Chang'e-1.

Chang'e-2, is named after a legendary Chinese goddess .

Chang'e is the Chinese goddess of the moon . Unlike many lunar deities in other cultures who personify the moon, Chang'e only lives on the moon. As the "woman on the Moon", Chang'e could be considered the Chinese complement to the Western notion of a man in the moon .

The satellite will be maneuvered into an orbit just 15 kilometers above the moon. At that point, Chang'e-2 will take pictures of moon's Bay of Rainbows area, the proposed landing ground for Chang'e-3, with a resolution of 1.5 meters. The resolution on Chang'e-1's camera was 120 meters.

If Chang'e-2 sends back high-resolution photos of the Bay of Rainbows, which is considered one of the most beautiful features on the moon, the mission can be deemed a complete success. The geological structure in this area is diverse, so a probe there would have greater scientific value.

Saturday, August 7, 2010

Ang Lee's Restrospective


Venue : Satyajit Ray Film & Television Institute ( SRFTI )
( Main Auditorium )

Date : 20th , 21st & 22nd August, 2010.

Following Five Films will be screened :

20 August, 2010 ( 6:30 pm )
Crouching Tiger Hidden Dragon (2000) 120 mins.

21 August, 2010
Fine Line (1984) 43 mins. ( 4 pm )
Eat Drink Man Woman (1994) 120 mins. ( 6:30 pm)

22 August 2010
The Pushing Hands (1991) 105 mins. ( 4 pm)
The Wedding Banquet (1993) 102 mins. ( 6:30 pm )


The Mainland China Cookbook
( Random House India , Rs. 499
will be launched in Calcutta at Mainland China, Gurusaday Road on August 10,2010 )

ANJAN CHATTERJEE HAS STIRRED UP THE MAINLAND CHINA COOKBOOK, A COLLECTION OF SIGNATURE DISHES AND A GUIDE TO CHINESE CUISINE

Friday, August 6, 2010

CHOWMAN's Chinese Breakfast

Debaditya Chowdhury , a Xaverian and the Keyboardist of "Lakkhichhara" opens "CHOWMAN " . Chowman will serve Chinese Breakfast of nostalgic teretta bazaar at Golf club road outlet . The breakfast would consist Dim Sum , Sui Mai, Pork Pao, Fish Ball soup, packed in a platter with a pair of chopsticks . The jingle for chowman is aptly 'Bhate Bangaler Pate Chinese'.


LOTUS SUTRA
Bharat Soka Gakkai presents Lotus Sutra an exhibition of rare artifacts, calligraphic and pictorial representations and replicas of birch bark and palm leaf scrolls.

7 -13 August , 2010
At : Rabindranath Tagore Centre, ICCR
9A, Ho Chi Minh Sarani, Kolkata - 700 071
Nanadalal Bose Gallery ( 3rd floor)
11 am - 8 pm

Friday, June 18, 2010

Computex Taipei

COMPUTEX 30th Anniversary, Taipei Computer Association (TCA) presents the vision of the year “COMPUTEX 2010 3D Virtual Tradeshow”

Join in the 3D Virtual Tradeshow, and interact with leading buyers and manufacturers from around the world without any barriers during the period of Computex and until August 31 .

COMPUTEX TAIPEI has become the largest computer exhibition in Asia and the second largest in the world, next to CeBIT in Germany. Each year, key global businesses come to this event to launch their new products. Since a large portion of the businesses in the world have research and deployment centers or production facilities in Taiwan, this exhibition attracts observers, analysts, and journalists of computer and information industries from all over the world to discover and report the latest technologies, developments, and trends.


Industry Overview

After long-term OEM collaboration with major international manufacturers, Taiwan’s IT industry has transformed from simple manufacture to an industry of global logistics in design and manufacturing. From setting up R&D and technical support centers to global production and operation centers, it’s these companies across the island who have made Taiwan's IT industry a driving force in the world market. Taiwan holds many first places in the world, and is way out front in the manufacture of wafers, IC packing, laptops, LCD displays, and data servers.


Position

1.Largest show in Asia, world's leading ICT event, 29th year

2.Taiwan's largest export exhibition, using 4 venues

3.Exhibition with largest number of international buyers (35,000)

Wednesday, June 16, 2010

Children’s Film Festival

10th International Children’s Film Festival
( 18 - 22 June, 2010 )
Organized By
Cine Central, Calcutta in Collaboration with Nandan (West Bengal Film Centre),
Eastern Zonal Cultural Centre (Govt. of India) & UNICEF

AT :
Purbashree Auditorium
Eastern Zonal Cultural Centre ( EZCC )
IB-201, Salt Lake City
Kolkata - 700 106
From : 18 - 22 June, 2010
at: 3pm , 4:45 pm , 6:30 pm



C H I N E S EMS C H O O L

Mei May Chinese School in Tangra that is closed since January

The Telegraph
Kolkata , Monday , June 14 , 2010 , Metro


Lone Chinese School Shuts Down
ZEESHAN JAWED


The lone Chinese school in Calcutta has stopped functioning following infighting in the city’s Chinese community.

The 80-year-old Pei May Chinese High School, in the heart of Chinatown in Tangra, hasn’t opened since the Christmas vacation which ended on January 7.

It had been the only Chinese school in the city for years after Moi Kwang on CR Avenue closed down because of lack of students.

Pei May Chinese High School, which had six teachers and around 50 students the day it closed for the winter recess, was run by a committee of the Chinese Tannery Owners’ Association which had built it 80 years ago.

A committee source said Liu Kuo Chao, one of the members, had formed a separate panel last December and declared himself the principal and president of the school.

“He is trying to usurp the property. We won’t let it happen,” said Chen Khoi Kui, a member of the Chinese Tannery Owners’ Association.

Liu, on the other hand, alleged that the earlier committee had no authority to run the school and his was the genuine panel. Liu has also moved court against the other panel.

Pei May school, spread across three bighas and 18 cottahs, had basketball and badminton courts on the premises.

Lee Kuo Leong, 90, who cherishes blurred memories of the school’s initial years, said the Chinese who were settling down in Tangra after the tanneries came up felt the need for an institution where their children could learn their language and culture.

“The members of the tannery association started donating saw dust, scrap and leather pieces to the local Chinese club, which sold the items to raise funds for the school,” said Lee.

Initially, the school had faced problems with the curriculum because there were not enough Chinese books in India.

“The members of the tannery association tried hard and managed to get books from China,” said Lee.

PS : It's not the lone school . There are Four other schools.

Beside Pei May Chinese School, there are the following schools which were teaching Chinese , but due to the circumstances beyond their control, could not continue as Chinese medium school.

These are Sacred Heart Chinese School at 15, Weston Street. Now it is an English medium School. On Saturday and Sunday a Chinese tutorial Class is running for those Chinese who would like to learn Chinese at their own pace.

Chien Kuo school at 15, Damzen Lane. This is continuing as an English Medium School.

Ling Liang High School at P7 Hide lane
and
Grace Ling Liang English School at 21B, Huges Street. Both are running full house with ICSE and ISC.

Tuesday, April 20, 2010

FILM FESTIVAL

Directorate of Film Festivals
and
Satyajit Ray Film and Television Institute, Kolkata

presents

China Film Festival 2010 – Chin Chalachchitra Utsav 2010


28th May 2010 – 2nd June 2010

Venue : SRFTI Auditorium , Kolkata

Program Schedule & Time

1. 28th May 2010 at 6:30pm – Film 'Confucius'

2. 29th May 2010 – Films: One Hundred Yuan (4pm), Together (6pm), Feet Lover (8pm)

3. 30th May 2010 – Huaiao Bride in Sangri La (4pm), The Road Home (6pm)

4. 31st May 2010 – Looking for Jackie (7pm)

5. 1st June 2010 – You and Me (7pm)

6. 2nd June 2010 – The Law of Romance (7pm)



MAKUM - India's Shame
The Telegraph
( Calcutta , Sunday, April 18 , 2010, page 9 , " 7 days " )


During the Sino-Indian war in 1962, hundreds of Chinese in Assam were sent to a detention camp in Rajasthan. Some were packed off to China. Prasun Chaudhuri narrates the dark, untold story of their tribulations

It takes us a while to find Wang Shu Shin. We go through the narrow alleys of Makum -a little town tucked deep inside upper Assam's picturesque tea country -in search of the man who, along with hundreds of others, was wronged and disowned by two warring nations. When we finally track him down in Tinsukia, seven kilometres away, he doesn't talk. Instead, he weeps.
The 88-year-old Indian Chinese, now terminally ill, has seen a side of India that few want to talk about. Earlier this week, a book called Makam, written by award winning author Rita Choudhury, broke the silence. The Assamese novel deals with the story of 1,500 Indian Chinese who were picked up from Makum and sent to a detention camp in Deoli, Rajasthan, while India and China battled in 1962.

"Although many of them had been iving in Makum for years and were married to local women, they were accused of being Chinese spies," says Choudhury. "About 1,000 people were forced to leave India." Most were deported to China, while some made their way to the West.

Today, there is little to indicate that Makum once had a thriving community of Chinese, who settled down in the area in the 1830s. The ghostly Chinatown -with its desecrated tombs, skeletal remains of a 150-year-old club and dismantled homes -stands witness to the sufferings of the tiny community .

"They picked up all the Indian Chinese early one morning in November 1962 and packed us in a cowshed," reminisces Wang Shing Tung, former Makum schoolmaster Wang Shu Shin's son, who was then seven years old. "The police said they'd jail us for `safety'. No one was allowed to carry any money, food, clothes or ornaments." Fortunes amassed over four generations -the Chinese had come as tea garden workers but some had become successful businessmen -were decimated in a single day .

It took seven days for them to reach Deoli in a heavily guarded train that didn't stop at any station, lest the "enemies" should escape. Half-cooked khichdi was served on the way , but some of the elderly Chinese couldn't take the trauma and died before they reached their destination. Those deported to China found themselves ghettoised as "capitalists" from India.

"Most of the male members of our extended family were sent to China in three batches," recalls Ho Ko Men, 72, who ran a motor garage in Makum when he was sent to Deoli. "Luckily, the antiChinese paranoia had disappeared when our turn came and we returned."

But when they reached Makum, they found that their houses had either been auctioned as "enemy property" or taken over by neighbours. The Wangs' saw mill had been sealed and its equipment damaged. On top of it, the locals had started treating them as enemies.





People called them names -`Dirty Cheenas, go home' was a common refrain -and women were harassed on the streets. Shopkeepers would keep them waiting or overcharge them. Chinese businesses were boycotted.


People called us names -`Dirty Cheenas, go home!'



Our houses were either auctioned as `enemy property' or taken over by neighbours



They packed us in a cowshed


It's a chapter in Indian history that has been kept a secret. While a senior home ministry official declines to comment, maintaining that the developments were too far back in history , Jagat Mehta, former director, China, at the external affairs ministry who later went on to become foreign secretary, admits that India may have overreacted. "But we are talking from the benefit of hindsight," he says.

"There was a general suspicion against the Chinese though they had been settled in India for a very long time.
They were unfortunately caught in the crossfire," Mehta, 88, says.

The war left the entire Indian Chinese community vulnerable, but the ones who suffered the most were those who lived in the northeast. In Calcutta, about 500-600 so-called "stateless aliens" of the 50,000-strong Chinese community were sent to Deoli.

In Assam, no one was spared. KwaiYun Li, a Canadian author of Indian Chinese origin, says children were taken out of boarding schools and put on the train to Deoli, separated from their families. Some argue that the Assamese Chinese were targeted because they were poorer and less vocal than their counterparts in Calcutta. But the more important reason was that they were from the northeast, which was closer to China.
Paul Chung, president of the Indian Chinese Association, points out that the Chinese army was approaching Assam before the war drew to a close.

Former editor B.G. Verghese points out that Sino-India ties had deteriorated after India gave asylum to the Dalai Lama. "The government panicked and wanted anyone with any Chinese links out of the northeast. It wanted to keep tabs on them."

Of course, internment camps for so called enemies were not uncommon. After the Japanese attacked Pearl Harbour in 1941, some 1,10,000 Japanese Americans were placed in camps in the United States.
But incidents such as the American camps were well documented -and found place in several award winning films and books. In 1988, the US government even passed a law apologising for the internment.

In India, on the other hand, the treatment of the Assamese Chinese was seldom talked about. "The survivors are scared to discuss the trauma, let alone fight for legal redress," Choudhury says.

Choudhury, who started researching the subject five years ago, travelled across China, Singapore, Hong Kong, Canada, Australia and the US to interview more than 100 displaced people. In China, she met Mailin Ho, who was 20 years old and pregnant when she was transported to China. Her Assamese husband was sent back to Makum -and Mailin never met him again.

Mailin, whose ancestors had come to India to escape a famine at the turn of the 19th century , dreams of a last visit to her birthplace.

But the Makum of her childhood has changed beyond recognition. Most of the houses in the erstwhile Cheenapatutty -or Chinatown -are gone. A stroll through the hamlet reveals the bare structure of the China Club where the Chinese used to play Mahjong on weekends. The Chinese graveyard lies vandalised in a remote corner, with marble plaques covering the graves removed or damaged. The Chinese-medium school turned into a Hindi school after the war, but telltale Chinese characters are still inscribed on the gate.

Wang Shu Shin returned to Makum with his family in 1966, a year before the camps were wound up. The former inmates remember how they didn't have enough food during their first week in Deoli. Things improved when the Red Cross came with food packets, though the rice and flour were bug infested. The Chinese, however, were allowed to move around, grow their own vegetables and even sell them to local villagers.

But the people yearned to return home, which, for most, was Assam. Social scientist and historian Amalendu Guha, the author of Planter Raj to Swaraj, says the Chinese, originally brought in to grow tea, were well paid and had happily settled down in Assam.

When the inmates returned from the camps, they had to rebuild their lives. Ho Ko Men married an Assamese and opened a new garage in Tinsukia. Wang hu Shin started a restaurant with his wife and later a hairdressing salon. His two daughters have married out of the community, one to a Bengali and the ther to a Gurkha.

Today, there are about 500 Chinese assamese in the state. Some 250 people are in Tinsukia, Dibrugarh and Lakhimur. Some have given up their Chinese names to ward off local resentment.

Many, like Ho Ko Men, speak fluent Asamese. Ho even wears the local dress.
The family celebrates Assamese and chinese festivals, and their food is a mix. A Chinese painting in the typical Assamese middle class living room indicates his roots.

The Assamese Chinese were well assimilated even in the Sixties, but the government saw them as enemies, detaining them under the Defence of India Act, 1962. Human rights activist Sujato Bhadra describes it as a "draconian" law. The law was repealed in 1968 but the Indian Chinese in Assam never got back their property or any compensation.

"The problem with our community is that we didn't represent our case to the government," regrets Chung.

Chung now hopes to unite the Indian Chinese scattered across India and abroad. "After all we have a distinct identity in our unique Sino-Indian culture, reflected in our love for Hindi songs and culinary innovations such as chicken Manchurian and chilly chicken," he says.

Chinese who were interned in Deoli and later migrated to Canada have formed a group too. A member went to a village in China where some Indian Chinese now live. "He ate at a Hakka-Indian restaurant, visited a home where there was an altar for Krishna, and enjoyed a party where many Chinese wore saris and sang Bollywood or Assamese songs," says Kwai-Yun Li.

A few tentative steps were also taken on April 11 when Makum was the centre of discussion at Choudhury's Guwahati book launch. In the audience was 66year-old Alan Wang, another Deoli inmate. "My mother and I were released from the camp, but all male members were packed off to China. We never met or spoke again. Hope they are alive, somewhere on the earth."

For the Assamese Chinese, though, the dark history is a closed chapter that few want to rake up again. "Let bygones be bygones," says Ho Ko Men with a deep sigh.



M A K A M

Samudra Gupta Kashyap
Indian Express
( 15 / 04 / 2010 )



Thursday, April 1, 2010

Taiwan Film Festival


Taipei Economic & Cultural Centre and Directorate of Film Festivals ( Government of India ) is organizing a " Taiwan Film Festival " ( 6th - 9th , April , 2010 ) at Satyajit Ray Film & Television Institute ( SRFTI ) auditorium , Kolkata , from 6 pm .

Thursday, December 31, 2009

Significance of Fire Crackers

We all know, the loud noise most of the time disturb the peace of silence, but when accompany with burst of brightness it creates a sense of security , excitement amidst of the darkness and sadness.

It is believed that a Chinese monk Li Tian of Hunan province during Tang dynasty, invented the firecracker- that he filled the bamboo tube with gun powder. That loud noise that got rid of the evil dragon that troubled the Emperor of the time. Thus the tradition of using fire crackers to frighten off the evil spirit begun, and thereby it is employed to announce the joyous celebration of marriage , enhance the joy of religious celebration and in chasing away the evil and welcome the good luck of the Chinese New year.

All these seem to be originated with bamboo tube. Someone might have noticed when bamboos are burnt as fire wood, bangs will be heard. It so happened when an army chef, who filled the three common kitchen ingredient of charcoal. Saltpeter , and sulfur into the bamboo tube and put in the fire to burn, an explosion accompanied with a very loud bang . That was believed to be the humble birth of fire cracker, of all places in the most unlikely army’s kitchen.

Thus for the Chinese, Crackers are the means of bringing in good fortune, announcing glad and happy events and celebrating success of our day to day life and an essential ingredient of celebration of New Year



Saturday, November 7, 2009

Pei May Chinese School



The 75-year-old school in Kolkata, the only Chinese school in India








Courtesy : Hakka TV ( It's a Hakka satellite cable channel operated by Taiwan Broadcasting System (TBS) in Taiwan, launched on July 1, 2003 )

Monday, October 19, 2009

Universal Brotherhood

Citizens Of All Faiths Join Hands For Clean-Up Campaign

Wednesday, September 30, 2009

Chinese Family Names

Our name , most of the time stands for our Identity.

It usually has two parts, consist of surname and given name. i.e. the individual family identity and individual’s identity.


In the Chinese culture as in most of the other cultures, the surname is the indication of the clan of one’s origin, and the given name give some idea of expectation or wishes of our parents or their hope for us.

Before 2, 300 years ago, most of the people did not have Surnames, for at that time the surnames were for the royalty and the aristocrats. In other word, it is a privilege or a title bestowed and not a right for everyone. Wong – 王 (Royal name; Song – 宋(Descent of Righteous Prince); Hu –胡and Chen- 陳Royal names.

After this time, the surnames were given to people by the decree of the emperor, or as a sign of recognition of the person as he as earned it by his position. Ma – 馬 the Tax officer; Kang – 康The Great Governor; Qian – 錢 The Treasuers .

Soon after the unification of China into one country, the common people, family-wise; begun to take surnames :

They took the name of their states in order to express their allegiance to a national or ethnic identity. Song – 宋; Chen- 陳; Wu- 吳; Tan – 譚 .

The name of their place of origin, Ouyang –歐陽 ( Descendant of a Prince.)

The name of their well known or well love ancestor, Kwan –關 (Descendent of a famous warrior )

Sometime the order of the seniority within the family is used as surname. The eldest is Meng - 孟; the second – is Chong 仲; the third is Shu - 叔; the fourth Ji- 季.

The name of an occupation is taken as surnames: Minister of War – Sima 司 馬; Potter – Tao 陶; Shaman (A spiritual leader)- Wu 巫

The surname taken to show its ethnic group: Hu- 胡 (the non-Han people living in the northern China)

It is estimated that there were more than 22,000 surnames in China, but due to elimination over the time, there are about 3,500 now.


Although there are thousands of Chinese family names, the 100 most common surnames, which together make up less than 5% of those in existence, are shared by 85% of the population. The three most common surnames in Mainland China are Li, Wang and Zhang, which make up 7.9%, 7.4% and 7.1% respectively. Together they number close to 300 million and are easily the most common surnames in the world.

Transliteration of Chinese family names into foreign languages poses a number of problems. Chinese surnames are shared by people speaking a number of dialects and languages which often have different pronunciations of their surnames. As a result, it is common for the same surname to be transliterated differently.

So it is common for family names to appear ambiguous when transliterated. Example: 鄭/郑 (pinyin:Zheng) can be romanised into Chang, Cheng, Chung, Teh, Tay, Tee, Zeng or Zheng, (in pinyin, Chang, Cheng, Zheng and Zeng are all different names).

Translating Chinese surnames from foreign transliteration often presents ambiguity. For example, the surname "Li" are all mandarin-based pinyin tranliteration for the surnames 黎 (Lí); 李, 理 and 里 (Lǐ); 郦/酈, 栗, 厉/厲, and 利 (Lì) depending on the tone which are often omitted in foreign transliterations.

Tuesday, September 29, 2009

MOON FESTIVAL ( OCTOBER 3 , 2009 )


The Mid-Autumn Festival or Moon Festival is held on the 15th day of the eighth month in the Chinese Calendar, which is usually around late September or early October in the Gregorian calendar. It is a date that parallels the autumn and spring Equinoxes of the solar calendar, when the moon is supposedly at its fullest and roundest.


Chinese people like the moon very much. In Chinese culture, the full moon is a symbol of peace and prosperity for the whole family. Its roundness symbolizes wholeness and togetherness. In the middle of the eighth month of the Chinese calendar the moon is full, and eight is also a popular number in Chinese culture.


Farmers celebrate the end of the summer harvesting season on this date. Traditionally, on this day, Chinese family members and friends will gather to admire the bright mid-autumn harvest moon, and eat moon cakes and pomelos together. Accompanying the celebration, there are additional cultural or regional customs, such as:

Eating moon cakes outside under the moon
  • Putting pomelo rinds on one's head
  • Carrying brightly lit lanterns, lighting lanterns on towers, floating sky lanterns
  • Burning incense in reverence to deities including Chang'e
  • Planting Mid-Autumn trees
  • Collecting dandelion leaves and distributing them evenly among family members
  • Fire Dragon Dances


The main celebrations during the Moon Festival are appreciating the moon, eating moon cakes together and making Chinese Mid-Autumn Festival lanterns though mid-autumn lanterns are not as colourful as the ones in Lantern Festival. These three celebrations or rituals have been passed from generation to generation. Chinese people may think the Mid-Autumn Festival is not coming if they don’t do these three things. This Year It's on 3rd October 2009


Thursday, September 17, 2009

Warriors of Heaven and Earth

The film's score and soundtrack were composed by two-time Academy Award winning Indian composer A. R. Rahman and features 16 tracks, including the theme song, "Mirage (Warriors In Peace)", in 3 languages, Chinese (Mandarin), English and Hindi.


The Mandarin version of the theme song is sung by Taiwanese singer Jolin Tsai, while the Hindi version is sung by Sadhana Sargam and English version by Sunitha Sarathy.

Following the film's release, the score and soundtrack were released in one album separately, under the title Between Heaven and Earth. ( SONY )

In 2003 after researching and utilizing Chinese and Japanese classical music, A. R. Rahman did the music for Warriors of Heaven and Earth.

Performers of the score include The Czech Film Orchestra and soloists. Other instruments, including the erhu, flute, duduk, dizi, taiko drums, and others, are also featured.

Track listing :

"The Golden Era" (3:56) – Instrumental
"Warriors in Peace" (Mandarin Version) (4:31) – Jolin Tsai
"Lord An’s Empire" (3:31) – Instrumental
"Water" (3:52) – Instrumental
"Horses" (2:27) – Instrumental
"Mountains" (1:49) – Instrumental
"Dacoit Duel" (3:26) – Instrumental
"Lai Chi" (1:31) – Instrumental
"Buddha’s Remains" (2:40) – Instrumental
"Blue Light" (2:23) – Instrumental
"The Monk and the Miracle" (4:05) – Instrumental
"Warriors of Heaven and Earth (English Version)" (4:31) – Sunitha Sarathy
"Desert Storm" (5:19) – Instrumental
"Escape" (2:33) – Instrumental
"Warriors of Heaven and Earth" (4:27) – Instrumental
"Warriors of Heaven and Earth (Hindi Version)" (4:31) – Sadhana Sargam


Wednesday, September 16, 2009

The Chinese Film Festival at The Spring Club

The Chinese Film Festival is on at the Spring Club till September 20th
Screening starts at 4 pm onwards

The Films :
  • The Road Home
  • Kekexili : Mountain Patrol
  • Crouching Tiger, Hidden Dragon
  • Warriors of Heaven and Earth
  • Light Rail No 3
  • Together

at Silver Screen in THE SPRING CLUB- KOLKATA
5, J B S Halden Avenue
Phone: 22517057 / 8 / 9

Film screening schedule :

16.9.2009 : CROUCHING TIGER , HIDDEN DRAGON(4PM) / TOGETHER(7PM)
17.9.2009 : WARRIORS OF HEAVEN AND EARTH ( 4PM) / KEKEXILI(7PM)
18.9.2009 : LIGHT RAIL (4PM)/ THE ROAD HOME (7PM)
19.9.2009 : TOGETHER (4PM)/ CROUCHING TIGER , HIDDEN DRAGON (7PM)
20.9.2009 : KEKEXILI ( 4PM)

Friday, July 31, 2009

YANGQIN

In Celebration of the installation of the bronze bust of Lu Xun At the Town Hall of Kolkata ,there will be Yangqin Solo performance by Prof (Dr) Liu Yuening On August 1, 2009 at 6:30 p.m.


The trapezoidal Yangqin is a Chinese hammered dulcimer originally from the Middle East (Persia (modern-day Iran)). It is also spelled yang quin or yang ch'in. Hammered dulcimers of various types are now very popular not only in China, but also Eastern Europe, the Middle East, India and Pakistan. The instruments are also sometimes known by the names " Santoor " and " Cymbalom ".


Prof (Dr) Liu Yuening , a famous Chinese Yangqin performing artist and music educator, is currently a professor of Yangqin at the Central Conservatory of Music (CCOM) in Beijing, China and serves as the Vice President of the Chinese Yangqin Association. She used to be a visiting professor of Michigan University, USA, M.Lysenko Lviv State of Academy of Music, Czech Republic. In 2008, Prof. Liu Yuening was granted ASIA Fellows Awards funded by the Ford Foundation and now studies music and culture of India in Dehli University and National Academy of Music, Dance & Drama, India. She has won numerous awards like the Gold Medal in the "International Jiang Nan Shi Zhu" Competition in 1993 and the Art Director Award of the First Folk Instrument Solo Competition of CCOM in 1994. Prof. Liu Yuening has also released 10 albums, published 11 textbooks and dozens of research paper and journal articles.


Wednesday, July 29, 2009

Your Excellencies & My Brothers and Sisters

Today we stand here in the Town Hall of Kolkata City, to unveil the statue of Lu Xun, the great Chinese personality. Overwhelmed with the greatness of this simple function, I feel encouraged standing here in front of you and speaking on this great occasion with the thought that our Association has contributed towards the growth of our culture, as the famous proverbs says, " It is better to light a candle than to curse the darkness." Usually soon enough, there will be many more candles to light up our way, and the darkness will stay away.

The presence of Lu Xun’s statue in this City of Joy, should enkindle the hope of further understanding of two of the World’s most rich and ancient cultures where people must work for harmony and prosperity. We hope this occasion will lead to necessary encouragement and sharing of goodwill.

This joint project announces to all men of good will and hope, and awaken the desire in all, to come forward and offer our service to the betterment and welfare of all the citizens of this city.

We stand here to express our gratitude to Mr. Qian Jianmin, Mayor of Shaoxing City, Shri Bikash Ranjan Bhattachayra Mayor of Kolkata City, Mr. Mao Siwei, Consul General of China, Mr. Alappan Bandyopadhyay, Kolkata Municipality Commissioner, Ms. Yang Hui Attaché, Embassy of China, with their teams and all who have contributed to make this occasion a reality.

I would like to end this by hoping that this event will give rise : Swei,

  • To greater confidence to further cooperation and understanding between two great nations ;

  • Greater understanding of each other’s culture and cooperation to bring the fruit of it to their own citizens ; and

  • Greater mutual respect and sense of service for the growth of each individual and society at large.



Tuesday, July 28, 2009

Chinese Poet Finds Place In Town Hall



28 July 2009 ( Kolkata , Tuesday , page 3 )
Subhro Niyogi , TNN

Lu Hsun, the revolutionary poet who is to the Chinese what Rabindranath Tagore is to Indians, will soon be rubbing shoulders with his illustrious contemporary at the Town Hall. Qian Min, the mayor of Shao Xing city, will join mayor Bikash Ranjan Bhattacharya, to unveil the bronze bust of Lu Hsun.

Lu Hsun defied the Chinese aristocracy, shunned the ancient scholarly language and wrote in simplified Chinese. He was born in Shao Xing city in Zhejiang province and became a cult figure in post-liberation China. The citizens of Shao Xing donated the statue to the city's Chinese community earlier this year, responding to the interest shown by Indian Chinese Association (ICA), a Kolkata-based organisation for culture, welfare and development.

"The unveiling of Lu Hsun's statue will mark the beginning of a new chapter in Sino-Indian relations. While economic ties between the two countries have strengthened, culturally, there is a need to understand each other more. Lu Hsun's arrival in Tagore's city can make that cultural connect. Indians can learn about Lu Hsun and the Chinese can learn about Tagore," Chinese consul-general Mao Siwei said.

ICA president Paul Chung said giving Lu Hsun's statue a pride of place in a prestigious setting as the Town Hall was symbolic of a major change in the way Indians perceived the Chinese community. "It's great to see Kolkata that has been home to the biggest Chinese community in India pay respect to the greatest literary figure in Chinese culture. This gives our community a sense of belonging," he said.

That is important, given the mistrust the community had developed after the widespread arrests during the Chinese aggression in 1962. The closure of tanneries four decades later dealt another blow to the community and sparked off widespread immigration.

"Some Chinese felt they did not belong here. Embracing a cultural ambassador like Lu Hsun will go a long way in demonstrating the government's concern for us. It will foster goodwill and restore the community's confidence in India," said Hsieh Ying Hsing, the owner of Big Boss restaurant in Tangra.

The statue has been kept at the Sea Ip Church since it arrived from Shanghai in March. It was first proposed to be installed at a park in Lu Hsun Sarani or CIT Road. After discussions with community representatives and the Chinese consul-general, the Town Hall was chosen as the venue that befitted Lu Hsun's stature.

Saturday, July 18, 2009

AROUND US

Before we leave the topic of colour behind, it will be good to observe that colour around us do have some influence on us. For example :

C O L O U R ~~~ I N F L U E N C E

Red ~ Excitement

Pink ~ Emotional healing , Nurturing

Orange ~ Creativity , Balance

Brown ~ Stability , Tranquility

Gold ~ Desire for power , Concentration

Yellow ~ Enthusiasm , Desire to improve

Green ~ Renewal , growth , Soothing effect

Tourquoire ~ Refreshing

Blue ~ Peace , reassurance , patience

Purple ~ Dignity , Self-confidence

White ~ Purity , Simplicity

Silver ~ Coolness , self-sacrificing

Grey ~ Conservative , security

Black ~ Emptiness , Authority , Serious

Tuesday, July 7, 2009

COLOUR HARMONY

Traditionally, in the five colours, viz. Red, Yellow, Green , Black and White, sometime, we wonder why the prime colour Blue is not among these.The reason is, colour Green is the colour of growing; like colour of leaves during spring; it ranges from yellowish green to dark blue, therefore the colour blue is inclusive of green in the traditional Chinese colour.

The significance of these five basic colours of the Chinese tradition or traditional Chinese system of colours are :

Red : Good luck, celebration, happiness, joy, vitality, long life, generosity and romance, therefore it is the bridal colour.


Yellow : Nourishing, of royalty, joy, happiness, intelligence, optimism and honour.

Green : Growing, developing, success, abundant, fertility, Hope, good health and good fortune.

Black : Protection, strength of character , power, dignity, formality, secretiveness.

White : Purity, peace, virginity, positivity, reverence, simplicity, self-sacrifice, precision, and innocence. This colour is used when mourning the death.

Gold is also seen as bright, prestigious and an obvious symbol of the rich. Gold is the second most auspicious colour after red.

Silver is considered vibrant and bright, the most distinctive attribute of silver is its modernity.




Monday, June 1, 2009

Semiotics


In our philosophical sphere, existence of elements do not remain in isolation, but are interrelated and governed by the generating aspect and overcoming aspect.

In the Chinese numerical symbolism, Number 5 is the centre number between 1 to 9; therefore it is at the centre which is symbolic of the perfect balance . It is this number that signify the harmony and dynamicism.

So, it gives rise to the 5 elements ; 5 directions ; 5 emotions et al.

The five elements are : Wood, Fire, Earth, Metal and Water

The five basic Colours are : Red, Green, Yellow, Black and White

The five directions are : East, West, Centre, North and South

The five emotions are : Anger, Happiness, Love, Grief / Sadness and Fear/Scare

Friday, April 3, 2009

COLOUR

Colour is simply light of different wavelengths and frequencies and light is just one form of energy that we can actually see that is made up from photons.

In Chinese Culture, Colours has an acknowledged place in making things more auspicious and create awareness of sadness too.The auspicious colours according to the Chinese are Red, Green and Yellow, and because of its association Gold and Silver are also considered lucky colours to use.When packing gifts for presentation, it's very important to use Red paper as the Red packet for the New Year and other occasions.

Colours have its spiritual and therapautic place in nature, and thus make things more interesting.

Use and Experience colours everyday in your lives . Appreciate it.

Monday, January 19, 2009

4706 of the Earth Ox

The Chinese new year of the earthen Ox will begin on 26/01/2009 (2009 is Year 4706 in the Chinese lunar Calendar ). This year will be a year of patience, observance and great strength. It is a year of assistance for the people around you to help you. Do not be surprised by people's good will even you may not expect it.Be calm and cool, and strike when the time is right, and success will be yours, wishing each and everyone a successful and patience year.

Sunday, January 18, 2009

Lu Xun ( 1881-1936 )

The half-bust bronze statue mold of Chinese Poet Lu Hsun from his birthplace in Shaoxint city coming to Kolkata .

Tuesday, December 2, 2008

R E G R E T

Due to the postponment of The Asian Theatre Festival at Kerala , the performance of Zhejiang Peking Opera at Kolkata cannot take place due to their schedule.

Sorry for the disappoinment.

Thank you for the same.

Wednesday, November 5, 2008

Sorry
Opera performance at Rabindra Sadan on December 7, 2008 is Postponed

Sorry

Monday, November 3, 2008

Chinese Opera To Perform In City

2 Nov 2008 ( Kolkata , Sunday , page 3 )
Subhro Niyogi, TNN

Zhejiang Peking Opera, which has enthralled audiences worldwide with classical plays like Red Lantern, Sha Jia Bang and The Harbour, will perform a power-packed play in the city in early December.

The programme will be jointly hosted by Kolkata Municipal Corporation (KMC) and Indian Chinese Association (ICA).

"It is the biggest Chinese event to be organised in the city. There’s a lot of excitement in both Tiretti Bazar and Tangra, where most of Kolkata’s Chinese live. We are proud to bring to Kolkata an opera that enjoys the status of national treasure in China," said ICA president Paul Chung.

This traditional form of Chinese theatre, combining music, vocal performance, mime, dance and acrobatics developed in eastern China’s Zhejiang province in the late 18th century. Though it was banned during the cultural revolution (1966-1976), it was revived thereafter and came into its own after the amalgamation with Zhejiang Kulnqu Opera Company in February 1994. Since then, the troupe has received critical acclaim across the world. Chung, who is a keen music enthusiast and knew about the opera, seized the opportunity when he learnt that the famous troupe was scheduled to perform at the World Theatre Festival in Kochi.

"A year ago, mayor Bikash Bhattacharya had expressed interest in hosting Chinese cultural events and asked us to get performing artistes. I was not too expectant since we are a small organisation. Then, this opportunity came by. I contacted the Chinese consulate and the troupe responded enthusiastically," Chung recalled. While the troupe is best known for its classical plays, it has decided to stage The Monkey King, an action musical with combat movements, to reach out to an audience that doesn’t have much exposure to opera. "What also influenced the choice of the play was the Indian concept of Hanuman, the monkey god. The troupe felt the association would help people identify with the play," Chung explained.

The play could star the winner of the Plum Blossom Prize, China’s highest award for stage performance, Weng Guosheng. He is expected to land in Kolkata with 16 other troupe members on December 6. The performance at Rabindra Sadan is slated the next evening.

Friday, October 17, 2008

Táng Sēng 唐僧

Xuanzang (Chinese: 玄奘); was a famous Chinese Buddhist monk, scholar, traveller and translator that brought up the interaction between China and India in the early Tang period.
Xuanzang (
Chinese: 玄奘;: Xuán Zàng; Hsüan-tsang) was a famous Chinese Buddhist monk, scholar, traveller and translator that brought up the interaction between China and India in the early Tang period.
Xuanzang is also known as Táng-sānzàng (唐三藏) or simply as Táng Sēng (唐僧), in Cantonese as Tong Sam Jong and in Vietnamese as Đường Tam Tạng. Less common
romanizations of include Hhuen Kwan, Hiouen Thsang, Hiuen Tsiang, Hsien-tsang, Hsuan Chwang, Hsuan Tsiang, Hwen Thsang, Xuan Cang, Xuan Zang, Shuen Shang, Yuan Chang, Yuan Chwang, and Yuen Chwang. In Japanese, he is known as Genjō, or Genjō-sanzō (Xuanzang-sanzang). In Vietnamese, he is known as Đường Tăng (Tang buddhist monk), Đường Tam Tạng ("Tang Three Collection" monk), Huyền Trang (the Han-Vietnamese name of Xuanzang)
Born as Chen Hui, He was the youngest of four children. He was Confucian, but at a young age of 20 he was ordained a Buddhist monk. To clear the contradictions and discrepancies in the texts he decided to go to India, to study in the cradle of Buddhism.
He was in India for 17 long years, travelled through India and passed Orissa, He recorded over 50 Hindu temples, 100 Buddhist monasteries. These are inclusive of those in Bengal (Cuttack, Balasore and Puri ).
His strenuous translation of his collection of Indian Buddhist texts to Chinese, and subsequent these were the source of the recoveries of lost Indian Buddhist texts from translated Chinese copies. He is credited with writing or compiling the
Cheng Weishi Lun as a commentary on these texts. He also founded the short-lived but influential Faxiang school of Buddhism. Additionally, he was known for recording the events of the reign of the northern Indian emperor, Harsha.
Under the Emperor's request, Xuanzang completed his book "
Journey to the West in the Great Tang Dynasty" (大唐西域記), which has become one of the primary sources for the study of medieval Central Asia and India.
"
Journey to the West in the Great Tang Dynasty" (大唐西域記), inspired one of the great Chinese Classics novel Journey to the West. This novel is the reincarnation of a disciple of Gautama Buddha, who is protected on his journey by three powerful disciples. One of them, the monkey, (he might well be inspired by the monkey god Hanuman); was a popular favourite and profoundly influenced Chinese culture.